Research

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M. R. Kabugo, Evaluation and mixed messages: an appraisal of European league football commentaries in Luganda, in Makerere University Foreign Languages Conference, Kampala, 2014.
M. R. Kabugo, Research ethics, scientific writing and transcription of interviews in biographical research, in IFRA-BIOGRAFRICA summer school for East African doctoral students, Fort Portal, Uganda, 2016.
M. R. Kabugo, Subtle decision-making in Luganda: An appraisal of participatory community development meetings in Luganda. 2014.
M. R. Kabugo, Translation and Copyright: The obligations, rights and benefits, in Makerere University translation workshop, Kampala, 2016.
M. R. Kabugo, Participation and decision-making: An appraisal of community development meetings in Luganda, in East African Literary Conference, Makerere University, Kampala, 2015.
M. R. Kabugo, Policy briefs and other issues of scientific communication and academic writing, in Makerere University DRGT training for doctoral students, Kampala, 2014.
S. Danson Kahyana, Singing Against Anti-Asian Sentiment in The East African Postcolony: Jagjit Sing’s “Portrait of an Asian As an East African, 2021.
S. Danson Kahyana, Shifting marginalities in Ham Mukasa and Sir Apolo Kagwa's Uganda's Katikiro in England, 2016.
S. Danson Kahyana and T. Huynh, T., Special issue of African and Asian Studies 19, 2020.
S. Danson Kahyana, Narratives of Oppressed Identity and Ethnic Discrimination in Mohamed A. Eno’s The Bantu-Jareer Somalis: Unearthing Apartheid in the Horn of Africa, 2020.
S. Danson Kahyana, Narrating National Identity: Fiction, Citizenship and the Asian Experience in East Africa, 2005.
S. Danson Kahyana, Assessing Literary Studies Curricula for Freedom of Expression Responsiveness in Ugandan Universities, 2021.
S. Danson Kahyana, Depiction of African Indigenous Education in Akiki Nyabongo’s Africa Answers Back (1936), 2016.
S. Danson Kahyana, Biira’s Success. Kampala: Fountain publishers, 2009.
S. Danson Kahyana, What If It Wasn't Kato Who Raped Diana? Representing the Yearning for Justice in As I Stood Dead Before the World: Creative Writing from Luzira Prison (2018), 2020.
S. Danson Kahyana, The potential role of orature in fighting the spread of HIV/AIDS, 2013.
S. Danson Kahyana, Fire on the Mountain: Creative Work on the Obuhikira. Kampala: Dovesong Educational Publishers, 2018.
S. Danson Kahyana, Versifying as reckoning : the quest for justice in Mohamed A. Eno's Guilt of Otherness (2013) and Vertical Articulation (2015), 2019.
S. Danson Kahyana, The Meaning of Education as an Introduction to Total Reality – A Case of the Teaching of East African Poetry, in Education and Reality: Reflections on Luigi Giussani’s Book, The Risk of Education, Nairobi: Fondazione AVSI and Kenyatta University, 2008.
S. Danson Kahyana, From a Habit to a Husband: Representation of the Intersection between Religion and Masculinities in John Ruganda’s Play, The Burdens (1972), 2020.
S. Danson Kahyana, Writing dictatorship and misrule in Uganda: Susan N. Kiguli's The African Saga, 2015.
S. Danson Kahyana, Lamwaka, B., and Kisiki, B. G., As I Stood Dead Before the World: Creative Writing from Luziira Prison. Kampala: Ugandan PEN, 2018.
S. Danson Kahyana, A Ugandan Poet Remembers the Rwanda Genocide on Facebook in Canada: The Transnational Aesthetics of Juliane Okot Bitek 100 Days (2016), 2020.
S. Danson Kahyana, Representation of Violence in Ugandan Literature. 2017.
S. Danson Kahyana, Re-Imagining Bobi Wine: Student Electoral Politics as Popular Performance Space, 2021.

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